Rob Brydon

Stick Man lives in the family tree with his Stick Lady Love and their stick children three, and he's heading on an epic adventure across the seasons. Will he get back to his family in time for Christmas?

Actors Rob Brydon and Steve Coogan travel from Troy to Ithaca following in the footsteps of the Odysseus.

Actors Rob Brydon and Steve Coogan travel from Troy to Ithaca following in the footsteps of the Odysseus.

Skådespelare Steve Coogan och Rob Brydon ombord på en sex-del episodisk Road Trip genom Europa. Denna gång de är i Spanien, provtagning restauranger, matställen, och sevärdheter längs vägen.

In a fantasy world of opposing kingdoms, a 15-year-old girl named Helena who works at the family circus with her father and mother, who wishes--quite ironically--that she could run away from the circus and join 'real life'. But such is not to be the case, as she finds herself on a strange journey into the Dark Lands, a fantastic landscape filled with giants, Monkeybirds and dangerous sphinxes. She must find the fabled MirrorMask in order to save the kingdom and get back home.

Years after their successful restaurant review tour of Northern Britain, Steve Coogan and Rob Brydon are commissioned for a new tour in Italy. Once again, the two comedy buddies/rivals take the landscape as well as the cuisine of that country in a trip filled with witty repartee and personal insecurities. Along the way, their own professional and personal lives comes in as these slightly older men's friendship comes through.

A cunning mouse goes for a walk in the forest, and outwits a succession of predators.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.